All main and primary secondary characters have happily ever afters.
Montana Matchmakers series (all main characters are cisgender males and females and were raised as Christians):
Sweet Christmas: white male/white-Latina female (mid20s); second chance
brief discussions of grief (parent and grandparent deaths) and teasing; food scenes
Sweet Valentine: white male/Latina female (late 20s); second chance
brief discussion of grief (parent and grandparent death); brief alcohol use, food scenes
Sweet Spring: white male/Latina female; love at first sight/friends to more; wedding preparations; twelve-year age gap (24 and 36)
brief discussions of grief (parent and grandparent and partner death) and war; food scenes
Sweet Summer: white male/white female; second chance; ten-year age gap (30 and 40); childfree by choice
brief discussions of grief (parent and grandparent) and stillbirth; food scenes
Hello Dolly: white male/white female (30s); love at first sight
brief discussions of grief and childhood trauma; malicious/sexist gossip from secondary characters; brief mention of bullying and antisemitism; food scenes; brief alcohol use
Sweet Fall: white male/white female (early 20s); love at first sight
brief discussions of familial tension and teasing; food scenes
One Moment: white male/white female (30s); second chance
discussion of grief; mention of female mc's arthritis; food scenes; Christmas celebrations
Sweet Winter: white male/white female (40s); love at first sight; wedding buddies; fake relationship
brief mentions of gossip, panic attacks, and familial tension; food scenes; wedding
Sweet Easter: white male/white female (early 20s); second chance/friends to more; wedding buddies
brief discussions of grief and parental emotional abuse; brief alcohol use; food scenes
Sweet May: white male/white female (early 20s); love at first sight; attending weddings
brief discussions of grief (parental death), anxiety, and past fat-shaming; food scenes; brief alcohol use
Escape in Love series (white cisgender male and female mcs in their 20s and 30s):
Greek Getaway: discussions of grief; family drama/scandal/betrayal; mentions of murder and suicide and sexism; secondary character's parent has a heart attack off-page; alcohol use; food scenes
Paris Interlude: discussions of grief; family drama/betrayal; parent heart attack recovery; sexism; alcohol use; food scenes
Italian Honeymoon: discussions of grief; family drama/betrayal; sexism; alcohol use; food scenes
Petals, Pride, and Persuasion: discussions of grief; grappling with inner critic; attempted sexual assault by a secondary character; mentions of Japanese American incarceration during WWII; alcohol use; food scenes
Castleton series: family drama; suspense plots/attempted assault and abuse; attempted murder; accidental death; anxiety; sexism; brief discussions of grief, war, PTSD, military, law enforcement, and past sexual/love affairs
Love at Pemberley books: brief discussions of grief, past love/sexual affairs, war, gossip
A Gentleman's Daughter trilogy: parental and other familial emotional abuse; gossip; sexism; cisgender woman posing as a man